Pacific Northwest Sacred Harp Singers






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womensinging.gifThis is the home for sacred harp singing in the Pacific Northwest, (comprising the states of Idaho, Washington, and Oregon). Sacred Harp singing is traditional religious folk music sung a cappella (no instruments) in four parts from The Sacred Harp, a tunebook printed in shape notes (i.e., the noteheads are one of four shapes, though otherwise standard music typesetting is followed). The book was first published in 1844 and has been continuously in print since then. Any type, quality, or range of voice will find a comfortable and important place with us. If you are new to Sacred Harp singing, feel free to drop by to listen or, better yet, to join in. Beginning singers are always welcome and musical reading ability is not a requirement. At a Sacred Harp singing, there is no admission charge, no choir director, no rehearsal, no performance, no membership - just singing that many describe as the most powerful, most intense musical experience of their lives.
Join Us at a SingingClick on the button at the left for a Washington state singing or an Oregon state singing to find one near you.
Got a spare hour for reading? Then visit the national fasola website.
Camp Fasola summer camp should be on your schedule for next year!!!! 

Record your Funeral Songs choices on a website - partinghand.pbwiki.com - maintained just for those of us worried that when we die our definite desires that certain songs be sung at our funeral/memorial service won't be known by anyone. This website fills a real need! 



Upcoming Events
 
 

Puyallup Singing resumes July 4

Eugene OR All-Day Singing July 25

1st WA State Cooper Book All-Day Singing August 15  Click for details.

Olympia Singing time change 2nd Sundays & 4th Sundays at Traditions Cafe, 5th & Water Streets. 5-7 pm

Seattle 2nd Sunday Singing moved to Greenwood Senior Center, 525 N. 85th St. from 6:30 to 8:30 pm.

True Alto for #196 in Songs

At the 2007 All-Day Singing in Eugene, Oregon Jack Lofton handed out to the altos his newly composed alto part for #196 ALABAMA, thus satisfying many who've been yearning for a part they can sing without either cracking their